| PMP | ‘the listening room’ – conversation with Jez Riley French
Saturday, August 19, 2017, 5pm
| PMP | ‘the listening room‘ – conversation
The NewBridge Project
Saturday 19 August, 5pm
Members: FREE / Non-Members: £3
Please book here
For this salon style event everyone is invited to come along to discuss the role of located & performance-based sound in the contemporary sonic arts.
Jez Riley French will be on hand to present a talk on some of aspects of his work with extended listening & recording, and to highlight some key artists working with located sound. The talk will then lead us into an open conversation where everyone is welcome to contribute. Whatever your interest in sound come along with questions or comments for us all to discuss.
Is listening a political act ?
Is ‘the sound of nature’ a construction for human use ?
The role of misogyny in the distorted histories of sound cultures
The issue of originality vs integrity in the sound arts
Using intuitive composition, field recording, improvisation and photography, Jez has been exploring his enjoyment of and interest in detail, simplicity and his emotive response to places and situations for over 3 decades.
Alongside performances, exhibitions, installations, JrF lectures and runs workshops around the world and his range of specialist microphones are widely used by recordists, sound artists, musicians, sound designers and cultural organisations. He also works as a curator of live events, a record label, of sound installations and an arts zine ‘verdure engraved’.
In recent years he has been working extensively on recordings of surfaces, spaces and situations and developing the concept of photographic scores and ‘scores for listening’, which have featured widely in publications and exhibitions.
His work has been exhibited in shows and installations alongside that of Yoko Ono, David Bowie, Pauline Oliveros, Chris Watson, Alvin Lucier, Annea Lockwood, Ryuchi Sakamoto, Stars of the Lid, Jeremy Deller, Sarah Lucas, Brian Eno, Signe Liden, Sally Ann McIntyre etc, at galleries including The Whitworth Gallery (Manchester), Tate Modern and Tate Britain, MOT – Museum of Contemporary Art, Tokyo (Japan), Artisphere (USA).
For the Hull, Capital of Culture year 2017 year in the UK, Jez has created a number of works including the installation of Icelandic recordings ‘the sound of the world turning’ for John Grant’s North Atlantic Flux festival, and also collaborated with Jan Bang, Arve Henriksen, Eivind Aarset & Opera North on ‘The Height of the Reeds’, an installation based sound walk in the Humber Bridge.
Echoes of Abstraction II and The Bottomless Pit of Outros brings together newly commissioned work by artists Jamie Cook, Adam Goodwin, James Pickering and Paul Trickett, alongside highlights from the Laing Art Gallery’s modern and contemporary painting collection. The exhibition explores and is inspired by the legacy of abstract art, and has been organised in partnership with The Laing Art Gallery.
The partnership between the Laing Art Gallery and The NewBridge Project has been devised with the dual aim of supporting emerging artists from the region, as well as creating a new platform for The NewBridge Project at a time of both flux and renewed ambition as they relocate to new premises at Carliol House, Market Street. The exhibition will be accompanied by events as part of Practice Makes Practice, an artist’s development programme initiated by The NewBridge Project and run by artists for artists.
This project has been made possible with the support of the Newcastle University Institute for Creative Arts Practice.
This event is part of Practice Makes Practice, an artist development programme run by artists for artists. Practice Makes Practice focuses on developing artistic talent and equipping artists with the necessary skills to manage their practice, bridging the gap between art school, studio practice, the gallery and beyond.
Accessibility: NewBridge Studios has limited accessibility, this event will take place in the Co-Work space of NewBridge Studios. We regret, due to the age of our building and its change of use we do not have a functioning lift. Please contact us prior to visiting if you require additional information regarding access and facilities