My practice can be loosely separated into three categories: Sculpture / Installation, Collections and Text Art.
I attempt to create a poetic tension out of the materials that I gather and the quotidian obsessions that increasingly dictate my life. By stretching affinities surrounding an object I make something new, but also crucially refer back to its original function.
Language – especially the use of word play – is also key to my enquiry.
Perhaps a succinct summation of my working method could be that of a finder, collector and re-arranger.