David and Melissa Eveleigh-Evans have been partners since1998, when they met at the RCA. Using a language of Grotesque Minimalism, their practice is a dialogue that looks at sign systems across history, encompassing both modern and ancient archetypes.
Their focus is “things the mind already knows”, forms and matter that have historically held transcendence, the objects of power and charged materials that continue to be an expression of human culture, from the earliest recorded history to present day industrial practice.