All my practice is (with)drawing, from hundreds of secret diary drawings to large semi-automatic wall-drawings, from tiny collages to durational performance-drawings. My work protocol is based on my daily drawing practice, notably making one drawing per day, a small secret drawing in a notebook which I then transform into a further drawing through processes of enlargement, translation and repetition. My drawing has to do with blindness, it has no interest in representing anything seen, but rather echoes the otherness of the world, inside-ness, and ex-centric seeing.
