Nada’s work explores cultural displacement and identity through immersive installations incorporating mixed media, photography, sculpture, and archival materials. She navigates the narratives of diaspora communities, particularly in relation to the SWANA region, reflecting on the complexities of existing between cultures and the struggle for representation. Through honest and vulnerable portrayals, her work examines the shifting sense of self that emerges from uprootedness, with a focus on the lived realities of displacement.
She is currently developing a series of works that examines the use of art therapy and performance as ways of processing lived experiences of trauma. This work seeks to use art as a form of playful disarming, allowing people to think differently about their experiences and engage with difficult subjects in new and meaningful ways.
