Other work deals with the monster as a agent who lies between the human and the other, most notably between the human and animal (as in much folklore worldwide) and between the human and technology (as in the cyborgs).
The concepts of my work are like my media, diverse but always strongly connected, a rubbing up together of technology and muck, folklore and cybernetics, steely synthesis, and analogue noise. In my imagery I evoke the lush patterns of the Baroque and Medieval geometric patterns alongside the organic forms and grit of monsters and animals, digitally degraded in my iPad work and scraped and overworked in my oil painting. Much of the time my work deals with interiors, as I attempt to create “thick air” in these fabricated spaces. Sound is an integral part of my work process, and increasingly central to my practice. I work with a modular synthesiser, as it seems like the most organic way to generate music in collaboration with technology, being generative and system based it mirrors the functions found within nature.